Ignore Column Trigger, prevents clip from being triggered when the column triggers are used. This is very handy for installations where Resolume needs to start playing clips automatically in combination with the Auto Pilot. You configure every layer to automatically start the first clip when the composition has loaded. Input can be done via ArtNet or an Enttec DMX USB Pro. It works similar to MIDI so it's very easy to configure.
You can control Arena from a lighting desk using DMX. Lights, lasers, even fireworks! Just not the go-go dancers, but we're working on that. With SMPTE Timecode input you can run you clips in sync with anything you want. It can even wrap around the composition for 360 degrees seamless projection. With soft edging you can seamlessly project 1 widescreen image with 2 or more projectors. Your surfaces do not have to be rectangular anymore either, you can warp your video onto curved screens with the advanced bezier transformations. This is perfect for projection mapping on many surfaces. In the advanced output window you can now create as many slices from your composition and position and transform them to your liking. As long as your computer can recognise it as an output, Resolume will let you use it.
From a simple screen behind the DJ in your local club to main stage at Ultra. The only limit is your computer's raw power and your imagination. Use as little or as many videos and effects as you like. Whatever your style is, Resolume offers you an easy interface to rock it. Mix and match your visuals quickly and easily and play Resolume like an instrument. Forwards, backwards, scratch and adjust tempo to the beat. You can play your videos when you want, how you want. You want to do projection mapping and hardcore video djing - Resolume Arena puts you in charge.
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